A version of my film Scriptych (a collaboration with Simon Valastro at the Paris Opera) will be playing tonight after the Bartlett’s Film Making Space symposium. The event looks great (Penelope Haralambidou, Richard Martin, Clara Jo, Kreider & O’Leary and Liam Young are on the line-up. It’s organised by the Bartlett‘s Film + Place + Architecture group.
I will be showing my film 86400 and performing 24fps Psycho at the Do Disturb Festival at the Palais de Tokyo in Paris in a couple of weeks. This is very exciting, as both works have never been shown before.
86400 is a real-time film made from Google Image searches for the time right now. It will be running throughout the festival.
24fps Psycho is an experimental performance remixing the film Psycho (1960) with footage from the French National Audiovisual Institute. It will be chaotic and confusing, but also highly enjoyable. I will be performing twice, once on the Saturday and once on the Sunday (9 + 10 April).
There are over 50 artists and performers participating this year, so it looks like a great way to spend a weekend – if I wasn’t performing, I would be in the crowd!
Tickets are avaialble through the Digitick website or at the Palais de Tokyo ticket office.
Ant Ballet is featured in the upcoming exhibition Big Data: Designing with the Materials of Life at Central St Martins. In addition to the static exhibition, I will be working with students to facilitate the design process during the live design-science project.
The exhibition is curated in two parallel formats:
– A static design exhibition which will present biologically-driven design narratives, including work from Ann Kristin Abel, William Bondin, Natsai Chieza, Rob Kesseler, Amy Congdon, Ruairi Glynn and Ollie Palmer
– A live design-science project in collaboration with the Medical Research Council as part of the ‘Fabrics of Life’ series. For three weeks, the Lethaby gallery becomes an incubator studio where emerging designers and architects will create new design proposals in response to the research of leading biological science labs.
Exhibition and Live Project:
23 January – 13 February 2014
Tuesdays to Fridays, 12–5pm
Work In Progress Presentation: Wednesday 5 February 2014, 2-5pm
Final Design Presentation: Wednesday 12 February 2014, 2-5pm
For more information, see the University of the Arts London website.
Thanks to Carole Collet and Ruairi Glynn for the invitation.
This weekend (20-21 September 2013) the garden of V&A Museum will be transformed into a large computing device by Ollie Palmer – and a troupe of “human-computers”.
In 1948 Alan Turing designed the first chess computer programme.
The only problem was that he didn’t have a computer to play it on.
He wrote all of the instructions onto pieces of paper, and played a game of chess as if he were the computer himself. Each move took over half an hour. What’s more, his human-powered computer programme didn’t win the game.
Nybble takes Turing’s human computer and combines it with a sense of theatricality in an immersive architectural-scale installation. Four performers, each representing a different part of a computing CPU, will be parsing a message into the V&A’s John Madjeski Garden. The display is playful, silly and fun – and possibly the most analogue computer to have graced the V&A’s Digital Design Weekend.
John Madjeski Garden, V&A Museum
21-22 September 2013
12.00, 14.00 and 16.00 daily (performances last 45 minutes)
Part of the V&A Digital Design Weekend.
Here is the press release:
Sky, ants and talking to plants
Invisible Dust invites you to a presentation by New York experimenter, environmental engineer and artist Natalie Jeremijenko together with the ‘Ant Ballet’ artist and designer Ollie Palmer discussing with Invisible dust host and artist Kasia Molga how technology is being driven by artists to explore, conserve and relate to our environment.
Natalie Jeremijenko is an artist whose background includes studies in biochemistry, physics, neuroscience and precision engineering. She was recently named one of the 40 most influential designers by I.D. Magazine and listed in Fast Company’s most influential women in technology. Jeremijenko is the director of the environmental health clinic and associate professor at New York University.
Ollie Palmer is a designer and artist. He is a collaborator with Open H2O and Protei (open source projects developing oceanic technologies) and a tutor in the Interactive Architecture Workshop at the Bartlett School of Architecture UCL.
Kasia Molga is a media artist who explores changes in our perception and relationship with the planet in the increasingly technologically mediated world. She deals with real time environment and data visualisation – where the data becomes a pretext, motor and platform behind the work. Kasia Molga is one of the artists working on a research proposal for Invisible Heat, Invisible Dust’s new project about climate change and health.
6.30-8.30pm Tuesday 4th June 2013
Arcola Theatre , 24 Ashwin St, Dalston, London – E8 3DL.
Train: Dalston Junction overland station.
Tickets: £5 / cons £3
It’s a 2.5m-long camera which scans the border between the public and hidden spaces of the gallery, and will be whirring away creating large photographs all evening. It is an homage to Kubrick and Tarkovsky, and a prototype for a system that I’ll be using in Norway over the coming weeks.
An entymological adventure coaxing choreography from a company of obstinate insects
As humans, we are used to hierarchical control systems. Ants are different – they use pheromones to communicate and connect with each other, building complex networks from simple feedback loops.
Working with a team of chemical scientists and entomologists, Ant Ballet is an attempt to ‘hack’ the communication protocols of ants. Witness the trials and tribulations of the first attempts to create choreography, and intercontinental ant colony communication through the use of synthesised chemical compounds.
Ollie Palmer is an artist and designer. Based at the Bartlett School of Architecture, he is a tutor in RC3 on the Graduate Architectural Design course. He has travelled around the world, hitchhiked across Iceland and taught IT skills in the heart of the Amazon. He is a collaborator with Open_H20 (developing open source oceanic technologies) and a Getty Images contributing photographer.
I have been invited to give a talk about dancing ants at the Natures Stage of Wilderness Festival, taking place between 10-12 August 2012 in beautiful Oxfordshire. I can’t wait to get there and take in a wealth of music, talks, food and country air!
More information and tickets available at the Wilderness Festival Website.
I know not everyone can make it to Manchester for FutureEverything, so took a couple of panoramic photosynths so that everyone can join in the fun. The exhibition is in the world’s first railway warehouse, so it’s a nice contrast between the peak of 1830’s physical technology and 2012’s (mostly) virtual!
First up is the elevator that takes people from the ground floor to the exhibition:
It’s been designed by Jörn Röder and Jonathan Pimay. Called fbFaces, it is the result of a script that trawled the web for public photos of people from and related to Manchester. There’s something of a Philip K Dick novel/Keiichi Matsuda experience in being surrounded by so many little avatars…
Secondly, here’s my Ant Ballet installation:
It has four screens showing documentary footage and theory about Ant Ballet, and a floating circular screen in the middle of the space with a robotic arm and simulation of ant trail following and disruption.
On the other side of the room is Brendan Oliver and Kasia Molga‘s The…. Based around David Bohm‘s philosophy that no human thought can be original, but rather a result of other thoughts in the world, it presents visitors with poetic (and non-Justin Bieber-related) Twitter feeds that are sent from one viewers’ shadow to another.
Unfortunately I didn’t have exhibition features numerous other works by artists such as Lawrence Epps, Jeremy Hutchison, Daniel Jones + James Bulley and more. It is open from the 18th May – 10th June at the Museum of Science and Industry
I’ll be talking about ants, machines and ballet at dorkbot 79 next week.
19:00-21:00, 28 March 2012
MAT Lab, Room G2 Engineering Building, Queen Mary, University of London, 327 Mile End Road, London E1 4NS
Nearest tube: Stepney Green / Mile End
Walk up or down Mile End Road until you’re between Bancroft Road and The Queen’s Building. There’s a glass storefront with orange benches and people milling about looking studious. That’s the entrance. There should be a ‘dorkbot’ sign there.
- – Transphormetic – Paul Prudence
- – the art of passionate following – Jag
- – “P-bROCK” Digital Bagpipes and Ukulele Hero – Duncan Menzies
- – Ant Ballet – Ollie Palmer
See you there!