I haven’t spent a day in the studio just doing studio-ish meandering things for ages, despite this being part of “the plan.” Today I was able to head in, finish production on three podcast episodes for my students, and then spend some of the afternoon exploring my video archive, making some sound and images work together. Ironically, I’ve been teaching video production recently and the importance of experimentation, yet hardly manage to do it myself.
I shot this video in Iceland in the early 2010s, which seems like a few lifetimes ago. It was the first week of real snow as autumn turned to winter, and my long-suffering friend and I drove over this particular bridge quite a few times holding various tripods and cameras on the roof of our rented jeep in order to capture the video-game-esque single-point perspective, emphasised by the fog in the distance, and bitmap-style textures of what I presume is normally a riverbed below the bridge.
I’ve been wanting to do something with this video clip for a while. This isn’t the thing, but it’s something – sketch to re-acquaint myself with the faders and dials as I ramp up towards more audio / video / game production for the All the Worlds project, among others.
Of course, anyone who came of age and got into making videos at a similar time in the 2000s will recognise this as the inverse technique from Michel Gondry’s video for Star Guitar by the Chemical Brothers:
The Creators Project DVDs, featuring work by Michel Gondry, Spike Jonze, Jonathan Glazer and Chris Cunningham were cult-like objects whilst I was an undergraduate, and still prove to be strong influences on me today. I obsessively watched and re-watched Gondry’s process for making this video. My favourite bit is with the shoes:
And here is the same Icelandic-shot video as above, with a second layer and infinite loop:
