Scriptych
About
A couple attempt to communicate from afar using an interface which translates their movements into words.
Structured across three micro-acts, Scriptych takes precision in choreography to an extreme, embedding sensors on dancers which measure their movements and control both the music and the words spoken aloud, in real time. The couples’ communication becomes increasingly fragmented as the piece develops, posing questions about the location of meaning in messages and movements, and the impossibility of communicating true intent.
3 x 3-minute choreographed sequences for 2 dancers.
Custom computer interface with machine-learnt three-dimensional word database.
Process
Ina, the French Audiovisual Institute, made a video about the collaboration between myself and Simon Valastro below. More information about this project can be found in Chapter 2 of my PhD thesis.
Pavillon Neuflize OBC / INA #9 Scriptych / Ollie Palmer – Simon Valastro – VA from Institut national audiovisuel on Vimeo.
Photo © copyright Justine Emard / Pavillon 2016.
Prints
A limited number of signed prints of this performance are available for purchase. Please get in touch for details.
Performance
La Rumeur des Naufrages
Opera Garnier, Paris
18 June 2016
Film screenings
Arctic Moving Image and Film Festival
Harstad, Norway
October 2017
Architecture Film Festival London
Institute of Contemporary Arts / Oxo Bargehouse
June 2017
Film | Making | Space
Royal Academy, London
February 2017
Credits
Concept, script
- Ollie Palmer
- Simon Valastro
Choreography
- Simon Valastro
Design, technology
- Ollie Palmer
Dancers
- Eve Grinsztajn
- Mathieu Contat
Thanks
- Thanks to the Opera National de Paris
- Director Stéphane Lissner
- Dance director Benjamin Millepied
Commissioning
- Project realised under the Pavillon Neuflize OBC programme 2015-16 (research lab of the Palais de Tokyo), during its collaboration with the Opera National de Paris, the Institut national de l’audiovisuel and the Groupe de recherches musicales (INA – GRM).
Details
- Performance: 2016
- Film: 2019
- Performance, film, technology