Month: March 2016

Network / Intersect

Network / intersect


A palindromic film about the production of fake news and fake profits, and the impacts they have on the people who produce them.

W and M see the world differently. For W, a low-level government propagandist, objective reality is an illusion. Truth exists on a gradient and can be manipulated and distored. For M, a financial executive, the world of business is a large image-making machine. Every business deal is just another set of mirrors or lenses to position. These abstract worldviews creep into the lived experiences of both characters, with unexpected consequences.

This film is experimental. It is a mirror, playing forwards and backwards simultaneously, the characters’ worlds intersecting halfway through. The production techniques were adopted from real Russian propaganda agencies, covertly filmed in false locations, Paris standing in for Seoul. The entire form of the film and its production accurately reflect the characters’ abstracted worldviews.

This is the first film to be made using a process called Reflexive Scripted Design, developed as part of my doctorate thesis work at the Bartlett School of Architecture. The entire film was created using a set of four rules ensuring that the final form reflects the film’s subject.

More information about this project and the Reflexive Scripted Design process that was used to develop it can be found in Chapter 4 of my PhD thesis.

512-second loop on dual-projectors.

Public display

Urban Legends
Seoul Museum of Art (SeMA)
5 April – 29 May 2016

Architecture Film Festival LondonOxo Bargehouse
7-8 June 2017


IMDB link


Direction, cinematography and script

  • Ollie Palmer


  • Patrick Ng
  • Hokyoung Im

Technical assistance and model making

Production support

  • Chloe Fricout
  • Justine Hermand

Script consultant

Commissioned by

  • Gahee Park and Fabien Danesi
    Seoul Museum of Art / Palais de Tokyo
  • Shot on location in Seoul in 2016
  • Made during my residency at Pavillon Neuflize OBC, the research lab of the Palais de Tokyo

Do Disturb

I will be showing my film 86400 and performing 24fps Psycho at the Do Disturb Festival at the Palais de Tokyo in Paris in a couple of weeks. This is very exciting, as both works have never been shown before.


86400 is a real-time film made from Google Image searches for the time right now. It will be running throughout the festival.

24fps Psycho

24fps Psycho is an experimental performance remixing the film Psycho (1960) with footage from the French National Audiovisual Institute. It will be chaotic and confusing, but also highly enjoyable. I will be performing twice, once on the Saturday and once on the Sunday (9 + 10 April).

There are over 50 artists and performers participating this year, so it looks like a great way to spend a weekend – if I wasn’t performing, I would be in the crowd!

Tickets are avaialble through the Digitick website or at the Palais de Tokyo ticket office.

24fps Psycho

24fps Psycho


A performance visually remixing and reinterpreting Alfred Hitchcock’s classic Psycho (1960).

Working with footage from the Institute National Audiovisuel (France), the Prelinger Archives (USA) and my own material, I have built software to analyse the visual and audio content of each frame in Psycho. The frames are then compared to a database of archival footage, and replaced with ‘matching’ stills and video clips.

The rate of frame-replacement varies according to the volume of the film’s iconic soundtrack – so that the audial freneticism is reflected on the screen. The result is a mesmerising, chaotic experience, and a reworking of a highly memorable film.

This is part of an ongoing body of work examining the technology of cinema.


L’Institut National de l’Audiovisuel made a short film about the making of 24fps Psycho:

Pavillon Neuflize OBC / INA #2 Taking “Psycho” to Pieces from Institut national audiovisuel on Vimeo.

More information about this project can be found in Chapter 3 of my PhD thesis.

Public performance

Do Disturb Festival
Palais de Tokyo
9 + 10 April 2016 (full performance)

Lundi du Pavillon
Palais de Tokyo
18 April 2016 (short performance and talk)


Footage provided for experimental purposes by L’Institut National de l’Audiovisuel
Made during my residency at Pavillon Neuflize OBC, the Research Lab of the Palais de Tokyo 2015-16




A real-time film composed of images that show up in a Google Image Search for the exact time at that moment (e.g. 11:41:14). The film plays in real-time, and takes a full day to watch.

Images do not necessarily bear a relationship to each other, besides a similar metadata tag. Thus, it is the audience who read meaning into the assemblage of images, creating stories and hypotheses about the images.

The images were gathered using the Google Image Search API, using masked IP addresses so that a search would appear to be from a random global location. As an unconnected string of images, the film forms a visceral snapshot of the US-indexed internet in late 2015.

This piece is a digital homage to Christian Marcklay’s The Clock (2010).

Video: ten minutes of 86400, at 22:00:00

Viewer version

A limited edition of ten specially-made film viewers is available to purchase (they also function as clocks); please contact me for details


More information about the development of this project can be found in Chapter 3 of my PhD thesis.

Public display

Do Disturb Festival
Palais de Tokyo
8-10 April 2016

AIADO Hallway Gallery
School of the Art Institute Chicago
27 March – 6 April 2017


Film as resonance
4 minute excerpt from 86400 published by Film + Place + Architecture, 2017


Made during my residency at Pavillon, the Research Lab of the Palais de Tokyo