Category: Exhibitions

Echoes of Disruption by Dubmorphology / commissioned by Invisible Dust

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I feel honoured to have been interviewed by Trevor Mathison and Gary Stewart from Dubmorphology about ants as part of their work Echoes of Disruption. The work forms part of the new exhibition UnNatural History, a major new exhibition exploring natural history and climate change curated by Invisible Dust at The Herbert Art Gallery & Museum in Coventry.

More about the video:

Echoes of Disruption, 2021

Digital video

18 min

Courtesy of the artists

Echoes of Disruption is video entry 11543.1 from the laboratory log-book of time-travelling researchers, with journal notes narrated by an Artificial Intelligence program. Having travelled back to the 21st century the researchers begin decrypting clues by exploring natural history collections, carrying out observational experiments and assembling interviews and content from scientific researchers, social scientists, cultural theorists, writers and poets. Their objective is to gain an insight into the turning point after which a dramatic change in the Earth’s delicate and precarious ecosystem leads to a catastrophic fracture in the future timeline.

Credits:

In conversation with Deborah Wolton and Ollie Palmer
Voice over Aniruddha Das
Processing ant simulations Ollie Palmer
Soundtrack Dubmorphology and DSPSSSSD

More about the exhibition:

UnNatural History features 26 international artists working in Aotearoa New Zealand, Austria, Belgium, Germany, India, Ireland, Kenya, Mexico, Singapore, Turkey, UK and USA. It includes four newly commissioned works responding to the Herbert’s Natural Science Collection by Frances Disley, Dubmorphology, Tania Kovats and Gözde İlkin.

The observational skills and techniques of artists, including their speculations, have enabled us to learn about plants and animals in drawings, long before the advancements of technologies such as microscopes and photography. Featuring drawings, paintings, sculpture, installation, lens-based, digital media and new technologies, UnNatural History will connect these valuable collections to the past, present, and future of our relationship to nature through depictions, scientific representations and imagined realities created by artists.

The exhibition is open from 28 May – 22 August 2021. More information here.

Landscape Mode

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Students of the Scripted Design course I run at MIVC are putting on a show at V2_ Lab for the Unstable Media on 17 December, in which they will showcase their work from the course: a series of rules-based videos, and films which compile videos made every day throughout the course into one video artefact.

The show has been curated by Yusuf Deniz, Bregje Horsten, and Leonardo Landoni.

Do come along! 17 December, V2_ Rotterdam, 18-21h.

For more information about the course, see sd.olliepalmer.com

Architectural Film Festival London

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I am excited to have two films screening at the inaugrural Architectural Film Festival in London from June 7-11 this year. Both were produced during my residency at the Palais de Tokyo.

Network / Intersect

A film about propaganda and the production of fake news, created entirely using the techniques of the Internet Research Agency propaganda factory in St Petersberg.

Room 11, Bargehouse, OXO Tower Wharf – free entry
Wed 7 Jun 11:00-13:00 (ArchFilmFest Selection A, 120m total)
Thu 8 Jun 11:00-13:00 (ArchFilmFest Selection A, 120m total)

Scriptych

From the live performance at Opera Garnier de Paris on 18 June 2016, featuring choreography by Simon Valastro. Two dancers attempt to communicate via a new technology which converts their movements to words, using vector space translation.

Bargehouse | free entry
Room 11, Bargehouse, OXO Tower Wharf
Sun 11 Jun 11:00-11:46 (ArchFilmFest Competition Shortlisted)
Sun 11 Jun 13:40-14:26 (ArchFilmFest Competition Shortlisted)

Institute of Contemporary Arts (ICA) | ticket required
Sun 11 Jun 16:30-18:30 ("From Above" category, with introduction by Competition Director Anna Ulrikke Andersen)
More information

Complete festival programme

Directions

Bargehouse, OXO Tower Wharf

ICA

Do Disturb

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I will be showing my film 86400 and performing 24fps Psycho at the Do Disturb Festival at the Palais de Tokyo in Paris in a couple of weeks. This is very exciting, as both works have never been shown before.

86400

86400 is a real-time film made from Google Image searches for the time right now. It will be running throughout the festival.

24fps Psycho

24fps Psycho is an experimental performance remixing the film Psycho (1960) with footage from the French National Audiovisual Institute. It will be chaotic and confusing, but also highly enjoyable. I will be performing twice, once on the Saturday and once on the Sunday (9 + 10 April).

There are over 50 artists and performers participating this year, so it looks like a great way to spend a weekend – if I wasn’t performing, I would be in the crowd!

Tickets are avaialble through the Digitick website or at the Palais de Tokyo ticket office.

Big Data: Designing with the Materials of Life

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Ant Ballet is featured in the upcoming exhibition Big Data: Designing with the Materials of Life at Central St Martins. In addition to the static exhibition, I will be working with students to facilitate the design process during the live design-science project.

The exhibition is curated in two parallel formats:

– A static design exhibition which will present biologically-driven design narratives, including work from Ann Kristin Abel, William Bondin, Natsai Chieza, Rob Kesseler, Amy Congdon, Ruairi Glynn and Ollie Palmer

– A live design-science project in collaboration with the Medical Research Council as part of the ‘Fabrics of Life’ series. For three weeks, the Lethaby gallery becomes an incubator studio where emerging designers and architects will create new design proposals in response to the research of leading biological science labs.

Exhibition and Live Project:

23 January – 13 February 2014
Tuesdays to Fridays, 12–5pm
Work In Progress Presentation: Wednesday 5 February 2014, 2-5pm
Final Design Presentation: Wednesday 12 February 2014, 2-5pm

For more information, see the University of the Arts London website.

Thanks to Carole Collet and Ruairi Glynn for the invitation.

Nybble at the V&A Museum

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This weekend (20-21 September 2013) the garden of V&A Museum will be transformed into a large computing device by Ollie Palmer – and a troupe of “human-computers”.

In 1948 Alan Turing designed the first chess computer programme.

The only problem was that he didn’t have a computer to play it on.

He wrote all of the instructions onto pieces of paper, and played a game of chess as if he were the computer himself. Each move took over half an hour. What’s more, his human-powered computer programme didn’t win the game.

Nybble takes Turing’s human computer and combines it with a sense of theatricality in an immersive architectural-scale installation. Four performers, each representing a different part of a computing CPU, will be parsing a message into the V&A’s John Madjeski Garden. The display is playful, silly and fun – and possibly the most analogue computer to have graced the V&A’s Digital Design Weekend.

Nybble_tests

Where

John Madjeski Garden, V&A Museum
21-22 September 2013
12.00, 14.00 and 16.00 daily (performances last 45 minutes)
Admission free

Part of the V&A Digital Design Weekend.

Funded by Design with Heritage, an AHRC Creative Economy Knowledge Exchange between V&A and UCL. www.designwithheritage.org

Late at Tate Britain

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I am building a machine with Krieder + O’Leary for the next Late at Tate Britain on the 1 February 2013.

sentinel_web

It’s a 2.5m-long camera which scans the border between the public and hidden spaces of the gallery, and will be whirring away creating large photographs all evening. It is an homage to Kubrick and Tarkovsky, and a prototype for a system that I’ll be using in Norway over the coming weeks.

Date: 1 February 2013, 18:00-22:00
Location: Tate Britain, Millbank, London SW1P 4RG
More information here

FutureEverything in not-quite-3D

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I know not everyone can make it to Manchester for FutureEverything, so took a couple of panoramic photosynths so that everyone can join in the fun. The exhibition is in the world’s first railway warehouse, so it’s a nice contrast between the peak of 1830’s physical technology and 2012’s (mostly) virtual!

First up is the elevator that takes people from the ground floor to the exhibition:

It’s been designed by Jörn Röder and Jonathan Pimay. Called fbFaces, it is the result of a script that trawled the web for public photos of people from and related to Manchester. There’s something of a Philip K Dick novel/Keiichi Matsuda experience in being surrounded by so many little avatars…

Secondly, here’s my Ant Ballet installation:

It has four screens showing documentary footage and theory about Ant Ballet, and a floating circular screen in the middle of the space with a robotic arm and simulation of ant trail following and disruption.

On the other side of the room is Brendan Oliver and Kasia Molga‘s The…. Based around David Bohm‘s philosophy that no human thought can be original, but rather a result of other thoughts in the world, it presents visitors with poetic (and non-Justin Bieber-related) Twitter feeds that are sent from one viewers’ shadow to another.

Unfortunately I didn’t have exhibition features numerous other works by artists such as Lawrence Epps, Jeremy Hutchison, Daniel Jones + James Bulley and more. It is open from the 18th May – 10th June at the Museum of Science and Industry

Ant Ballet at FutureEverything

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My Ant Ballet installation is featured in FutureEverything‘s art show this summer, from the 16 May to the 10 June 2012.

The festival was recently listed among the top 10 ideas festivals, scattered in a plethora of interesting venues around Manchester. My installation is be in the world’s first railway warehouse building in the Museum of Science and Industry – a showcase of the future, from a building that built Britain’s past.

Entry to the art exhibition is free! Visit FutureEverything’s site for details.

The exhibition at FutureEverything has been gaining a lot of press recently – see the Press page for more.