Today’s quick video – a looping clip of driving along a highway in Seoul. My PhD supervisor Stephen Gage calls this type of thing a ‘finger exercise’, I assume because it’s like practicing scales on a piano – it’s one of many playful, small things that helps you work out ideas for larger projects.
I took this video on the way from the airport to my accommodation in Seoul in 2016. I was messing around with a camera I’d loaned (A Canon C100, if I recall). The footage isn’t remarkable, but you do get to see part of the city looming in the distance and the huge river. I just wanted to make it loop, nothing special – just to play with video a little, and make a quick accompanying sound bed.
The longest loop I could make is just short of the original clips’ length, 33 seconds and 9 frames, with the looping part coming from the van that overtakes. The hue of the video shifts throughout, from pinks and reds through to purples and blues and back. It also has a 12-bar sound bed I made quickly:
This is my quick video for the day, shot whilst walking from Rotterdam Centraal station to Delftsepoort (an office building). The subject is fairly mundane, but there are a few layers of square video on top of each other, and another clapping soundtrack made quickly.
I actually made two versions of this video, one with a regular offset:
And one that uses a 2-frame offset per layer to recreate a ‘wavy’ special effect from the 70s. I remember seeing this sort of effect in old music videos as a kid, back when I was glued to music television:
One thing I like about the original video is the way that it’s abstracted a completely mundane journey, yet maintains the rhythm of my walking. The stills of the escalator are perhaps my favourite part:
But then again, the flooring, which seems to be particular to Dutch train stations, also looks more dramatic than usual:
As does the utterly mundane pavement found on all streets near here:
This is a video I made a while but forgot to put online! An extremely foggy day, under a bridge near my house. Looking back at it now, it’s a bit more stress-inducing than I think it needs to be, mostly because I was trying to do the opposite of the slowness that I felt the video wanted to be edited into. I guess I should have gone the other way. Still, it’s nice to have the perspective of hindsight sometimes.
This is a quick doodle-video to play around with composition and looping. The source video was shot on Tottenham Court Road on a sunny day in 2014 (see here); this version tries to lean into the strange and playful composition of the original, adding a clappy/clicky soundtrack and the idea that walking on the street is a form of game.
A very quick video edit today, compiled from some footage I shot a few years ago whilst flying over northern Canada. Not a great video, but I wanted to play with the stark textures of the snow and rocks, creating a slow-moving wallpaper. There are a few things I’d like to fix (that crack on the right hand side for starters), but the aim of this task is to make something quickly and post it, rather than aiming for perfection, so here we go.
Maintaining my streak of making quick videos on a near-daily basis, here are two videos of impossible journeys on the Chicago L-train. Shot in 2016, now spliced into infinite (and impossible) loops in 2022.
The first features ‘transition moments’ from one place to another:
This is the quick film I should have made yesterday – very quick and simple, a looping set of wires – but instead spent too long fiddling around with layers and composition, etc. Shot on the same journey, it’s just slowed down, inverted, layered footage of the wires going past.
I set students the task of making short, daily films all the time, but I rarely post my own. Hoping to do more from now on.
A video of footage I took back in 2011 of late-night journeys in Google Earth. This is my attempt to recapture the strange energy of that time: staying up all night, collaborating on projects, building things, spending all too long in subterranean spaces.
I haven’t spent a day in the studio just doing studio-ish meandering things for ages, despite this being part of “the plan.” Today I was able to head in, finish production on three podcast episodes for my students, and then spend some of the afternoon exploring my video archive, making some sound and images work together. Ironically, I’ve been teaching video production recently and the importance of experimentation, yet hardly manage to do it myself.
I shot this video in Iceland in the early 2010s, which seems like a few lifetimes ago. It was the first week of real snow as autumn turned to winter, and my long-suffering friend and I drove over this particular bridge quite a few times holding various tripods and cameras on the roof of our rented jeep in order to capture the video-game-esque single-point perspective, emphasised by the fog in the distance, and bitmap-style textures of what I presume is normally a riverbed below the bridge.
I’ve been wanting to do something with this video clip for a while. This isn’t the thing, but it’s something – sketch to re-acquaint myself with the faders and dials as I ramp up towards more audio / video / game production for the All the Worlds project, among others.
Of course, anyone who came of age and got into making videos at a similar time in the 2000s will recognise this as the inverse technique from Michel Gondry’s video for Star Guitar by the Chemical Brothers:
The Creators Project DVDs, featuring work by Michel Gondry, Spike Jonze, Jonathan Glazer and Chris Cunningham were cult-like objects whilst I was an undergraduate, and still prove to be strong influences on me today. I obsessively watched and re-watched Gondry’s process for making this video. My favourite bit is with the shoes:
And here is the same Icelandic-shot video as above, with a second layer and infinite loop: