Tag: exhibition

Echoes of Disruption by Dubmorphology / commissioned by Invisible Dust

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I feel honoured to have been interviewed by Trevor Mathison and Gary Stewart from Dubmorphology about ants as part of their work Echoes of Disruption. The work forms part of the new exhibition UnNatural History, a major new exhibition exploring natural history and climate change curated by Invisible Dust at The Herbert Art Gallery & Museum in Coventry.

More about the video:

Echoes of Disruption, 2021

Digital video

18 min

Courtesy of the artists

Echoes of Disruption is video entry 11543.1 from the laboratory log-book of time-travelling researchers, with journal notes narrated by an Artificial Intelligence program. Having travelled back to the 21st century the researchers begin decrypting clues by exploring natural history collections, carrying out observational experiments and assembling interviews and content from scientific researchers, social scientists, cultural theorists, writers and poets. Their objective is to gain an insight into the turning point after which a dramatic change in the Earth’s delicate and precarious ecosystem leads to a catastrophic fracture in the future timeline.

Credits:

In conversation with Deborah Wolton and Ollie Palmer
Voice over Aniruddha Das
Processing ant simulations Ollie Palmer
Soundtrack Dubmorphology and DSPSSSSD

More about the exhibition:

UnNatural History features 26 international artists working in Aotearoa New Zealand, Austria, Belgium, Germany, India, Ireland, Kenya, Mexico, Singapore, Turkey, UK and USA. It includes four newly commissioned works responding to the Herbert’s Natural Science Collection by Frances Disley, Dubmorphology, Tania Kovats and Gözde İlkin.

The observational skills and techniques of artists, including their speculations, have enabled us to learn about plants and animals in drawings, long before the advancements of technologies such as microscopes and photography. Featuring drawings, paintings, sculpture, installation, lens-based, digital media and new technologies, UnNatural History will connect these valuable collections to the past, present, and future of our relationship to nature through depictions, scientific representations and imagined realities created by artists.

The exhibition is open from 28 May – 22 August 2021. More information here.

FutureEverything in not-quite-3D

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I know not everyone can make it to Manchester for FutureEverything, so took a couple of panoramic photosynths so that everyone can join in the fun. The exhibition is in the world’s first railway warehouse, so it’s a nice contrast between the peak of 1830’s physical technology and 2012’s (mostly) virtual!

First up is the elevator that takes people from the ground floor to the exhibition:

It’s been designed by Jörn Röder and Jonathan Pimay. Called fbFaces, it is the result of a script that trawled the web for public photos of people from and related to Manchester. There’s something of a Philip K Dick novel/Keiichi Matsuda experience in being surrounded by so many little avatars…

Secondly, here’s my Ant Ballet installation:

It has four screens showing documentary footage and theory about Ant Ballet, and a floating circular screen in the middle of the space with a robotic arm and simulation of ant trail following and disruption.

On the other side of the room is Brendan Oliver and Kasia Molga‘s The…. Based around David Bohm‘s philosophy that no human thought can be original, but rather a result of other thoughts in the world, it presents visitors with poetic (and non-Justin Bieber-related) Twitter feeds that are sent from one viewers’ shadow to another.

Unfortunately I didn’t have exhibition features numerous other works by artists such as Lawrence Epps, Jeremy Hutchison, Daniel Jones + James Bulley and more. It is open from the 18th May – 10th June at the Museum of Science and Industry