Here’s the video of the talk I gave yesterday at Central St Martins as part of their Hybrid Futures series:
It was great to be able to present work from my PhD (which is now open access!) and my residency at the Palais de Tokyo. Many thanks to Betti Marenko for inviting me to talk, and posing insightful questions and comments, to Jacob Watmore for excellent technical support, Kaye Toland for fielding questions to ask, and everyone who watched, for your time.
I’m very excited to be giving a lecture as part of the Bartlett’s Constructing Realities lecture series next week. If you are in London, please do pop in on the 15th February. It will also be the first chance I’ve had to see the Bartlett’s shiny new campus.
Scripted performances: digital and absurd machines
‘Scripts’ in architecture are usually associated with computer-based design programming. However, this narrow usage belies a rich vein of concepts intrinsic to architecture and authorship. This lecture poses the script as a useful critical and methodological tool within architectural design, absorbing and reinterpreting ideas from behavioural psychology, computation, dance, immersive theatre, the Absurd, and the Oulipo. The lecture is illustrated through a series of projects completed during Palmer’s residency at the Palais de Tokyo and PhD by Design at the Bartlett spanning dance, film, installation, and data manipulation.
Ollie Palmer is an artist and designer based in the Netherlands. He holds an AHRC-funded PhD by design from the Bartlett and was artist in residence at the Palais de Tokyo in Paris from 2015-16. His work has been exhibited around the world, including at the V&A Museum, Opera Garnier de Paris, Seoul Museum of Art, and the Royal Institute of British Architects. He co-authored the winning proposal for the US Pavilion at the Venice Biennale 2018, and sits on the project’s curatorial advisory committee. He formerly taught within the Bartlett’s Interactive Design Lab and at the School of the Art Institute Chicago. He currently teaches at TU Delft.
An entymological adventure coaxing choreography from a company of obstinate insects
As humans, we are used to hierarchical control systems. Ants are different – they use pheromones to communicate and connect with each other, building complex networks from simple feedback loops.
Working with a team of chemical scientists and entomologists, Ant Ballet is an attempt to ‘hack’ the communication protocols of ants. Witness the trials and tribulations of the first attempts to create choreography, and intercontinental ant colony communication through the use of synthesised chemical compounds.
Ollie Palmer is an artist and designer. Based at the Bartlett School of Architecture, he is a tutor in RC3 on the Graduate Architectural Design course. He has travelled around the world, hitchhiked across Iceland and taught IT skills in the heart of the Amazon. He is a collaborator with Open_H20 (developing open source oceanic technologies) and a Getty Images contributing photographer. www.olliepalmer.com
I have been invited to give a talk about dancing ants at the Natures Stage of Wilderness Festival, taking place between 10-12 August 2012 in beautiful Oxfordshire. I can’t wait to get there and take in a wealth of music, talks, food and country air!