The Bartlett School of Architecture M.Arch show will be opening on the 27th September at Wates House. Amongst the myriad of interesting and bizarre projects will be an Ant Ballet machine, and some related films.
For some reason this fairly old photo of mine has been picked up and set loose on the blogosphere recently. It’s from my solo hitchhike around Iceland in 2006, and available to buy and license on Getty Images.
Along with my friends Ian Laurance and Cristiana Camisotti, I ran a workshop for 50 Plymouth University Masters Architectural students, including rapid prototyping of devices to enable a non-visual mapping of a series of spaces.
The workshop was called “Mapping space with augmented perception”, and involved students designing and building devices to augment their perception, then using these new prostheses to map spaces they already knew – e.g. areas of the university campus. The point of the workshop was to explore the subjective nature of perceiving space.
I spent a couple of days at Area10 with Maxine Pringle to help set up and document her installation Transforming Architecture earlier this year. The performance was incredible – transforming an entire warehouse room into an immersive, womblike experience.
The complete structure was fabricated by Maxine in what must have been a series of marathon sessions at the sewing machine. What doesn’t come across in the video and photos is the level of detail and high quality finish of the piece, or the hidden structure – it utilises a sophisticated set of structural supports in the form of large kevlar rods, and has a set of 36 counterweights dangling from the roof of the warehouse.
I spent a day taking photos and recording time-lapses with my friend Kimberly Walker in July, as part of her Masters in Architectural Design. I’ve finally had the chance to watch the final edit – it’s a documentary about the process of making the film. Trailer below, full documentary here.
The radio in my room has started to develop a phobia of me. It works perfectly, except if I am in the room alongside it. Standing on the left hand side of the room produces crackling, and the right side just kills all of the signal. Tuning it in is a bit like seeing if the cat is dead…
I rarely work without Radio 4 harping away in the background. My ‘office’ will thus have to relocate to bars, cafés and other more sociable places.